LAuthor Jon Hassler wrote brilliantly. I haven’t finished devouring his work, but Rookery Blues, The Dean’s List, and North of Hope are set in small-town northern Minnesota where people cope with life. Obviously, people cope elsewhere, but crafting a fascinating story about fascinating people doing not much in the middle of nowhere takes skill. No wonder Hassler taught creative writing. He was a master.
In my opinion, one of the reasons Hassler’s work crackles is that he creates extraordinarily believable characters. I picture him writing with the Diagnostic and Statistical Manual of Mental Disorders (DSM), the bible of mental health diagnoses, propped next to the keyboard.
To create real, consistent—believable—characters, it wouldn’t be a bad idea if writers really did that—familiarized themselves with the criteria from the DSM-IV.
It’s jarring if a character does something we just know people like that don’t do, because we know these people.
Read the descriptions for: Personality Disorders, Mood Disorders, Eating Disorders, Substance Abuse, Adjustment Disorders, Childhood Disorders, Cognitive Disorders, Anxiety Disorders, Impulse Control Disorders, and Psychotic Disorders. That will get you started on drawing real-life people and their problems, remembering the continuum factor.
Writers love to get characters into trouble and watch them squirm to see what happens. The process and outcome of coping should usually ring true to a character’s personality, whether it’s reactions to trouble of the character’s own making, or events or actions of others. A narcissist is unlikely to be overcome by a wave of altruism, unless it’s self-serving. A hoarder, chronic worrier, or clean freak is unlikely to ever be free of all obsessive-compulsive behaviors or anxious thoughts. A character who’s basically OK before a seriously depressing event occurs is likely to have the resources to cope and be relatively OK again. And eating disorders aren’t about being thin, though the client may protest too much, they’re about emotions and control.
There was a time when I railed against diagnosing my psychotherapy clients, but I did it because third party payers require it. I’m resigned that we’re stuck with the medical model and insurance companies. (And if I continue down this particular bunny trail, I’ll start foaming at the mouth.) Diagnosing has its point, though, in that it gives therapists a framework within which to understand and treat people.
Diagnostic categories can also be the basis for putting flesh and bone on our fictitious characters.
© Cristine Eastin, 2012